(Internationally Flavored String Ensembles) Composed by Kirsi Paakkonen. Set of performance parts and conductor's score for string ensemble (varied instrumentation). With piano accompaniments. 60 pages. Published by Alfred Publishing.

Composed by Felix Bartholdy Mendelssohn (1809-1847). Masterworks; Quartet; Solo Small Ensembles; String Ensemble - Mixed. Kalmus Edition. Masterwork; Romantic. Book. 40 pages. Kalmus Classic Edition #00-K09720. Published by Kalmus Classic Edition

(For Piano and String Quartet (Full Score)). By George Rochberg. Piano quintet. For Piano, Violin I, Violin II, Viola, Cello. First performance: Jerome Lowenthal and the Concord String Quartet on March 15, 1976 at Alice Tully Hall. Full score (study). Standard notation. 128 pages. Duration 48 minutes. Published by Theodore Presser Company

For String Quartet and Piano, Four Hands - Full Score and Parts. By Peter Schickele. Mixed chamber ensemble. For Violin I, Violin II, Viola, Cello, Piano I, Piano II. Score and parts. 42 pages. Published by Theodore Presser Company.

Creative Ability Development Series. By Alice Kay Kanack. For Viola. String - (Suzuki) Supplementary. Book & CD. 68 pages. Published by Alfred Publishing.

Chamber Music Violin, Viola, cello, Piano

SKU: PR.14440587S

Composed by Steven Stucky. Premiered by Opus One, Music from Angel Fire, NM. Contemporary. Score. With Standard notation. Composed 2012. 44 pages. Duration 12 minutes. Theodore Presser Company #144-40587S. Published by Theodore Presser Company (PR.14440587S).

UPC: 680160616497. 9x12 inches.

As composer-in-residence at the Music from Angel Fire festival in New Mexico, Stucky was commissioned for a new chamber work, Rain Shadow, written for Opus One. For inspiration, Stucky looked to the incredible works of Scottish sculptor Andy Goldsworthy. Much of the piece underscores contrasts between the piano and the violin, viola, and cello, with the strings working largely as a unit, frequently intoning their unpredictable harmonies in homophonic rhythms... Rain Shadow is big on clarity, easy to follow, and attractive to the ear, even letting loose (near the end) a big ol' Romantic theme that wouldn't be out of place in a cinematic epic set in outer space. (James M. Keller, Listen Up, Santa Fe New Mexican).